Soon it is apparent why this dot on the radar is revered by the French, Dutch, and Germans as an ideal slice of the slow life. Its sea is laden with cascading colors of sapphire blue and white ivory, each embedded in the rhythm of the tide; its knockout moons hold strong as guiding forces of the rotational tilt, as if it all began and ended here. Yet, no greater force is the contemplation that occurs at the skirts of a cosmic wonder such as Mt. Etna, where the discards of cataclysm pit questions of life against death. This is where man comes to quantify small decisions and conquer his ghosts; a realm of complete isolation seeming all but romantic with the right view.
Hiccuping down the spiraling street walls of Mount Pellegrino, aided by half-toned headlights and the intense focus of Lorenzo, our small vehicle dodges and weaves through a mess of low-swung brush and eroded manholes with a seeming grace.
“The mountain, it is falling down,” he says, with a grin. “It is fucking dangerous. They have closed the road because it is falling.”
“Closed?” Philipp retorts, in a rip of laughter; for, this stolen right of passage into the depths of a decrepit maze epitomizes his idea of a cheap thrill.
“Yes, it has been falling for some time now,” Lorenzo replies. “The mountain, its history, it speaks if you listen.”
Steadily the air around us envelops the car into a veil of night, and challenged are the dim, exhausted headlights at each tight corner. Branches overhead tickle the open window of our rooftop, and yet there is stillness on the road; our vessel feels isolated in its wholeness, as if the moment were being preserved for us, and us alone. Upon reaching the grounding lights of a colorful cityscape, Mondello – bold in all of its revelry – there is a sense of relief, but on its trail is the subtlety of remorse.